![]() ![]() It is also used as a name for the place these beings come from, the land of Fairy.Ī recurring motif of legends about fairies is the need to ward off fairies using protective charms. Fairy has at times been used as an adjective, with a meaning equivalent to "enchanted" or "magical". At other times it has been used to describe any magical creature, such as goblins and gnomes. The label of fairy has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Ī fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. The title of the painting is Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things – from a verse by Charles Ede. 1595–1155 B.C.A portrait of a fairy, by Sophie Gengembre Anderson (1869). The Middle Babylonian / Kassite Period (ca.Harry Burton (1879–1940): The Pharaoh’s Photographer.Art, Architecture, and the City in the Reign of Amenhotep IV / Akhenaten (ca.The Housemistress in New Kingdom Egypt: Hatnefer.“ Egyptian Tombs: Life Along the Nile.” (October 2004) “ An Artisan’s Tomb in New Kingdom Egypt.” (October 2004) “ Harry Burton (1879–1940): The Pharaoh’s Photographer.” (January 2009) “ The Housemistress in New Kingdom Egypt: Hatnefer.” (October 2004) Schulz, Regine, and Matthias Seidel, eds. New York: Metropolitan Museum of Art New Haven: Yale University Press, 2007. Gifts for the Gods: Images from Ancient Egyptian Temples. Cambridge, Mass.: Harvard University Press, 1953-59. The Scepter of Egypt: A Background for the Study of Egyptian Antiquities. Egypt's Golden Age: The Art of Living in the New Kingdom, 1558–1085 B.C. Boston: Museum of Fine Arts, 1988.įreed, Rita E. Mummies & Magic: The Funerary Arts of Ancient Egypt. (October 2000) Further Readingĭ'Auria, Sue, Peter Lacovara, and Catharine H. New York: The Metropolitan Museum of Art, 2000–. Known especially for monumental architecture and statuary honoring the gods and pharaohs, the New Kingdom, a period of nearly 500 years of political stability and economic prosperity, also produced an abundance of artistic masterpieces created for use by nonroyal individuals. At this site ( Deir el-Medina), they left a wealth of information about life in an ancient Egyptian community of artisans and craftsmen. A town was established in western Thebes for the artists who created these tombs. The pharaohs built their mortuary temples here and were buried in huge rock-cut tombs decorated with finely executed paintings or painted reliefs illustrating religious texts concerned with the afterlife. As a result, the New Kingdom pharaohs commanded unimaginable wealth, much of which they lavished on their gods, especially Amun-Re of Thebes, whose cult temple at Karnak was augmented by succeeding generations of rulers and filled with votive statues commissioned by kings and courtiers alike.Īlthough the rulers of Dynasty 19 established an administrative capital near their home in the Delta, Thebes remained a cultural and religious center. Ahmose’s successors in Dynasty 18 conducted military campaigns that extended Egypt’s influence in the Near East and established Egyptian control of Nubia to the fourth cataract. ![]() This was finally accomplished by Ahmose I, who reunited Egypt, ushering in the New Kingdom-the third great era of Egyptian culture. ![]() 1650–1550 B.C.), the Theban rulers (Dynasty 17) began to drive the Hyksos kings (Dynasty 15) from the Delta. Late in the Second Intermediate Period (ca. ![]()
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